Interdisciplinary Literature Come Together in ATEC Lab’s New Online Reading Platform
From left: UT Dallas students Ritwik Kaikini, Colin Campbell, Ashton Brillante, Richard Campitelli BS'15 and Shruthy Sreepathy, Dr. Roger Malina, doctoral student Chaz Lilly BA'11, MA'15 and clinical associate professor Cassini Nazir BA’02, BA’03, MFA’11 work in the ArtSciLab, which recently launched ARTECA.
For scholarly work that exists outside the realm of traditional peer-reviewed journals, outlets for getting research recognized and read can be few and far between.
To overcome this challenge, the ArtSciLab, UT Dallas’ transdisciplinary research lab, recently launched ARTECA. The new online reading platform will serve as a curated space for academic literature at the intersection of the arts, humanities, science and technology.
A collaborative effort between the ArtSciLab, the MIT Press and the International Society for the Arts, Sciences and Technology (ISAST), ARTECA includes an expanding collection of more than 200 books and access to three MIT Press journals.
“The ArtSciLab seeks to be a pioneer in the field of experimental publishing. We hope to probe, test and experiment with new ways for professionals to document their work and show it to others,” said Dr. Roger Malina, Arts and Technology Distinguished Chair and director of the lab. “ARTECA provides a way for us to ‘beta test’ the future for the art-science-technology community.”
Malina said the aim is for ARTECA to enable new collaborative practices within transdisciplinary social communities, an idea he embodies as a physicist and astronomer working in the arts.
Chaz Lilly BA’11, MA’15, a research assistant for the project and a doctoral candidate in the School of Arts, Technology, and Emerging Communication (ATEC), said the aggregator was modeled after MIT CogNet, a similar MIT Press platform that consolidates literature in the brain and cognitive sciences.
“There are a lot of issues in how we disseminate research in academia,” Lilly said. “We live in a digital world where online research and publishing is an immediate resource, but a lot of it doesn’t reach its audience without an access point.”
With CogNet, the MIT Press developed a platform that facilitates access to more than 700 books, six journals and 13 reference works, and subscriptions from more than 100 academic institutions. The hope is to re-create its success with ARTECA.
“We’re thrilled to be working with ISAST and The University of Texas at Dallas to expand the dimensions of scholarly publishing in the art, science and technology space,” said Nick Lindsay, journals director for the MIT Press. “The Press has a long-established history of bold experimentation in publishing, and ARTECA fits that tradition perfectly.”
While the site only houses books and journal issues, subsequent phases will introduce increasingly experimental resources such as podcasts, multimedia-based materials, a job board and online textbooks for massive open online courses.
The subscription-based platform has been made available at no cost to UT Dallas students and faculty linked to the campus network. Remote access is needed to use the resource off campus.
“With ARTECA, we are experimenting with a hybrid open access and paywall system,” Malina said. “Professionals who contribute to the content and quality of ARTECA will have open access.”
Malina said that authors who prefer to pay author fees and have their articles accessible via open access may do so. Other faculty and students will have access by subscribing to institutions’ libraries.
“We will also be developing functions and tools to promote and enable transdisciplinary collaboration,” Malina said.ArtSciLab's Podcast Network Becomes Popular Resource
The ArtSciLab is particularly interested in developing podcasts, of all the resources produced outside of traditional publishing channels, as an academic resource.
In 2014, the lab established a podcasting network and platform called Creative Disturbance, where members of the international arts and sciences communities can share research and connect.
Cassini Nazir, clinical associate professor in ATEC and director of design and research for the lab, said many of the podcasts hosted by Creative Disturbance are about niche subjects connected to a greater theme that rotates periodically.
“In roughly two years, Creative Disturbance has blossomed from one podcast to over 250 episodes,” said Nazir BA’02, BA’03, MFA’11. “In September, we passed 38,000 total podcast downloads.”
The platform supports 26 official podcast channels in 10 languages.
Media Contact: The Office of Media Relations, UT Dallas, (972) 883-2155, [email protected].