From: northcut@mindspring.com (d.) Newsgroups: alt.humor.best-of-usenet Subject: [rec.music.beatles] Yet Another Clue (was Re: Wouldn't It Be Great...) Date: 7 Oct 1998 01:52:01 -0000 Subject: Yet Another Clue (was Re: Wouldn't It Be Great...) From: Kent Stewart Newsgroups: rec.music.beatles C_R_T@webtv.net wrote: > > When they were looking for the truth in karma, > and phychodelic drugs!. Now, to children raised in this relatively innocent age of hopefulness and enlightenment, the above may seem simply a typographical error. It is not. Indeed, it is a reference to one of the darkest secrets in all of beatledom: the phychodelic years. The Beatles were truly among the first of our generation to discover a disturbing truth: the yawning void all too often felt in the hearts, souls, and taste buds of yearning humanity is not to be filled by mere fame and fortune-- not even for the toppermost of the poppermost. In fact, when all other daily distractions are removed through the facility of great wealth, then by contrast does this unrequieted yearning make it's presence known all the more clearly. And *then* do the priviledged become vulnerable to the quick fix, the easy answer, the pulse pounding cheap connection to the cosmos. At such an hour, even those with every earthly advantage turn to the seductive consolations of chocolate. Sure, our cocky heroes probably thought they were strong enough to "handle it". A kiss or two here, A Baby Ruth bar there, a little bread and chocolate with the morning coffee. "Just a chipper, really, I can stop any time I want to." But chocolate has heard it all before. It knows its own, and calls out to them, and in a wordless language of supreme seduction, draws them inexorably to itself. At first, the Beatles' forays into chocolate seemed innocent enough. Indeed, the new albums seemed infused with a fresh, edgy energy, and with an addictive sweetness seldom heard in the scotch and coke days. But the writing was on the wall, and soon their thoughts were drifting to chocolate nearly all the time. Lifelong friends who were known to abstain were slowly dropped by the wayside. There was no worldy experience so sweet that it could not be further sweetened by mixing it with this chocolate "high". And slowly their days disintegrated into an undifferentiated chocodelic haze. It was all so giddy, tasty, and sweet, that at first it was not evident that they were fast becoming hopelessly addicted to this artificial substance! It did not appear at all odd to our heroes that suddenly chocolate was everywhere; chocolate was simply a part of how life was in these new, enlightened times. Boxes of chocolate were kept ready at their bedsides, chocolate was smuggled into the studio, and--perhaps most dangerous of all to an unsuspecting world--the pop songs soon to be embraced by millions were being written by musicians who were deeply under the influence. And it began to show. George devoted an entire song to chanting the names of a sampler box of chocolates. Paul got to the point where he couldn't write about anything else, not really. Everything came back to the reality of his addiction. A song he *intended* to be about his girlfriend reveals the depths of this obsession: ooh! and then suddenly I see you! ooh! did I tell you I need you EVERY SINGLE DAY OF MY LIFE! And though it cut too close to the bone to release at the time, John's Cold Turkey--actually first written in 1968!--reveals the nightmare of chocolate withdrawal. It could no longer be borne: the substance which had first seemed so liberating was turning out to be merely a heavier (if sweeter) form of entrapment. It was devouring their lives. And yet they felt that Sweetness Itself was undoubtedly real, although they could no longer deny that their connection *to* this Sweetness was uncomfortably tainted. What to do? They were lads seriously in need of an answer. They found it at the feet of a Master in the mountains of Switzerland. The master explained that the *physical* form of chocolate communion (phychodelia) was a mere earthly counterfeit of the higher forms of myschodelia and transchoternity. In the former, mystic communion with the source of Chocolateness is achieved, yet the meditator exists as if in a chocolate trance, unaware of this world, or of his or her own body. In the latter, pure transcendental communion is attained, and the acolyte becomes One with Chocolate Itself, even while his or her body and mind interact freely with the world. Transchoternity, assured the master, is the true goal. Do not get distracted along the way! A physical chocolate communion may prove helpful if it gives one a taste of That which is available, but it is *not* the answer it may, at first, seem to be. Of all of the Beatles, it seems George took this advice most to heart, and has had his inner eye fixed on transchoternity ever since. John, on the other hand, never completely renounced phychodelia, and even in his last interviews admitted to keeping boxes of expensive chocolates about the house. Paul, perhaps the least mystically inclined of the four, entered a methodone-like diversion program, which required him to ingest daily mega-doses of saccharine for years (which resulted in a few unfortunate side effects, but did reduce the craving). Of course, in these fulfilled and enlightened times, we may find it hard to swallow that our heroes suffered from such addictions, and indeed we notice that many familiar photographs re-released for the anthologies have had the chocolate airbrushed out. This is intended to protect the children. Yet the danger still persists. The phychodelic age may seem to have come and gone, and yet powerful doses of chocolate may even today be purchased on almost any street corner in any city. It is even sold in supermarket checkout lines. It is even sold to little children. Vigilance is advised. cheers, --bongo (on a related note, I recently read that the substance within chocolate responsible for the sense of powerful craving is known as "anandamide", or "anandamine". I note with interest that the Sanskrit word for "bliss" is "ananda". Coincidence? You decide!)